Valerie Mendoza is an international lens-based installation artist, writer and educator. Her work has been exhibited in France, Ireland, Mexico, Portugal, and venues throughout the United States. Mendoza’s practice mines the intersections between history, memory, language and media, where they are impacted and shaped by institutional power structures. Combining photographs, video, audio, objects, personal narrative, and various areas of research, her immersive installations create a cross-disciplinary dialogue between disparate sources to interrogate cultural assumptions. Her early work culled scientific theories and terminology as metaphors for human behavior. Recent work falls within the realm of social practice and addresses the causes and effects of lack of affordable housing in the U.S. and abroad. While much of her work examines contemporary and historical circumstances and events, the source of her inspiration is consistently rooted in personal experience.
Three completed bodies of work were featured in Mendoza's solo exhibition, O Custo de Vida (The Cost of Living), which occupied all three floors of Galeria do Sol in Porto, Portugal in November 2018. A separate exhibition, Café Espelho (Cafe Mirror) was a part of the group exhibition Reason & Reverie, Thompson Gallery, San Jose, CA, September 2018. Mendoza transformed a gallery corner into a simulacrum of the Café Bars that serve as vital local meeting places in towns throughout Portugal. Together, these cross-cultural exhibitions created space for public discussion, and introduced two populations facing similar problems to one another. Our Agents, also a part of O Custo de Vida, has been chosen for inclusion in numerous national, juried group exhibitions, including Lie, Cheat, Steal: Contemporary Art and Ethics, Kresge Gallery, Lyon College, AR, 2019, The de Young Open, de Young Museum, San Francisco, CA, 2020, San Francisco Camerawork's Forecast 2020, and So Real–Surreal, O'Hanlon Center for the Arts, Mill Valley, CA, 2021.
During the pandemic, Mendoza used statistical research to address international perspectives without travel. Her 2022 mixed media public art installation, The Destination Café, pairs the local affordable housing crisis with similar challenges faced by citizens worldwide. It debuted at The Art Kiosk, Redwood City, CA, from August through September 2022. Her newest, eight-image series addresses the banking industry. With a mix of statistical information, personal narrative, song lyrics and audio, We Value Your Business, like much of her past work, employs elements of seriousness and humor, where statistics represent sobering facts, while a commercially inspired design, pastel colors and music hint at the absurdity/tragedy of our current accepted reality. The 8, 24” x 36” poster-sized panels are printed on metal through the dye-sublimation process. The new work debuted at the Thompson Gallery, San Jose, CA, March, 2024, and was featured in national, juried exhibitions at Hera Gallery, Wakefield, RI, and the Old Walls Gallery, Albuquerque, NM in fall 2024.